Old Photographs

I'm interested in old photos from antique stores. Most are family portraits - wedding poses, older husbands and wives, children dressed in turn-of-the-century-cute drag. Although it's kind of sad, I like that these are abandoned pictures. They should be hanging proudly on some family wall, not stuck in a dirty box marked "Instant Relatives". But these unknown faces call out to my imagination, "We were real once, as real as you. Give us a name, bring us back to a kind of life."

While I have a general interest in such photos, I am also generally bored by their studio sameness. I'm waiting for something to jump out, to strike me. That's the one I'll buy. Here are two that have captured my attention and moved my imagination.

I call this photo "folks" (a snapshot, not a slick studio pose), I was struck by the distance between the couple on the left and the group on the right. It makes the photo seem to be "about" that couple; the group is just there for support. I also wonder why there are so many women and only two men, if you don't count the photographer who is probably(?) a man. I was struck by the whiteness of the women's clothing and the whiteness of the house behind them.


I found another photo of nine young men posing in and around a big old tree. They are each wearing identical black cassocks. They are probably seminarians preparing themselves for the priesthood. Three of them are holding lit cigars. Three of them are not looking at the camera. Two are wearing hats but one of them has his propped comically above his head by the V of two small trunks (not clearly seen here).

I suspect the picture was made on the grounds of the seminary for the Archdiocese of Chicago at Mundelein, IL sometime between 1900 and1920.

 Both photos are set outdoors, away from the stuffy studio. Both are most likely taken by family members or friends rather than by a professional photographer. "Folks" seems to be a quiet celebration of marriage (as sexuality, fertility, ownership, community); whereas these nine young men in black are presenting themselves as friends, never-to-marry scholars in a religious institution. While both pictures are generally cheerful, it's possible to see a wider range of moods and attitudes in the individual faces.

Comments?

 

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