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as the reviews come in, we begin
to understand that the public is not ready for what we have to
offer... and that hurts a bit because we thought we were offering
something good... interesting...
unusual...
but maybe we weren't...
Personally,
I don't think that I am gaining very much from this project.
Analyzing the poems in this way has just turned these poems into
a chore for me. I would rather enjoy their beauty than nit-pick
them to death!
still...
maybe we just didn't explain
ourselves well enough... didn't pitch it right...
i think
that indexing is kind of pointless because if it's supposed to
help us understand the poem better, it doesn't really do much
for me; if anything it causes more confusion.
maybe they realized that the
work was difficult...
But
then again, I'm also noticing some similarities between the poems
that I might not have noticed had I not been looking. I have
some mixed feelings about this assignment, but overall I'd have
to place my vote under a waste of time. It's also pretty hard.
there is no we, of course. it's
me. my "public" in this case is my students, the sophomores...
these voices...
It
just seems to me as though rather than understanding them better,
my group is just plowing through all of these poems trying to
find some way to tie them all together.
i've been trying to think of
an index as a different kind of tool... an alternate form of
expression... that might be used and useful in ways that indexes
traditionally have not been used and useful. what if an index
were not merely a quick locator? what if it were a process, a
method... a harvest of understandings... something one might
examine to see how closely, carefully, accurately a reader has
read and understood... because an indexer is really just a reader...
who is noting and listing, grouping and connecting the important
things...
So
far I found it hard to find words that were important in the
poem, and then finding words that they related to in other poems
got to be confusing.
there's much talk these days
of alternative modes of assessment. instead of having students
take a test... have them write a paper, hold a press conference,
participate in a debate, create some multimedia display, some
multi-genre performance of what they have come to know... dance
a dance about it, sing a song, draw a cartoon, design a cereal
box or a t-shirt, make a webpage or a powerpoint presentation....
write a letter to your congressman. over the years, i have encouraged
students to pursue one or the other of these paths...
I don't
think that I'm getting very much out of this project. I mean,
yeah, it's forcing me to really read into the poem, but I just
feel like I'm taking it apart rather than gaining a better understanding
of the poem.
last year one
of my classes indexed a novel... this year i decided to push
the exploration of indexing a little farther... by narrowing
its scope... what if we took a handful of smalller works, poems,
and rooted around in them? to see if an indexing process might
help us to uncover some truffles... what are the important things
in this fistful of poems by emily dickinson? this should be an
expansive process rather than a reductive one. we are not trying
to boil the poems down to one homogenous gray goo called "the
theme" or "the moral" or "the lesson"
or "the meaning." the indexing of poems (from this
perspective) should not be standard but idiosyncratic.
we've looked at these poems,
and this is what we found.
all
we're doing is just writing down things in a meaningless catogorization.
there's no point to it. how will this help us to aspire to our
goals in life? all this does is get us to anally look at some
boring poems. wow. and group work? i think not. how's about one
person in the group does all the work and everybody else just
sits around and talks about non related subjects.
index: a strange, convenient
form to express our knowing....? or a coffin... a junkbox, a
basket of lifeless, disassembled parts?
Doctor
Nonentity, a metaphysician ... Most people think him a profound
scholar: but as he seldom speaks, I cannot be positive in that
particular. He generally spreads himself before the fire, folds
his hands, talks little, drinks much ... I am told he writes
indexes to perfection.
Oliver
Goldsmith
talk
to me
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