This
Journal

December
1999

7. Skin Deep

It's another writing period and this freshman is stuck. He thinks he's done, so I look it over. I see that there's more to say and help him see it, too. He gets the idea and jumps into the writing.

But now, a few minutes later, he's drawing on himself. A closer look shows that he has sketched S T U D Y hugely across the back of his hand and snaking onto his wrist. I shake my head slowly in grand teacherly fashion.

These freshmen love to write on themselves (sometimes words, often quite intricate arabesques); but when I suggest that we all forego paper and write our next essay across our bodies, they give me weird looks. Well, I suppose I deserve those looks for such an outrageous notion; but I do find something very attractive about it, similar to the thrill I get when I click on the overhead and see these huge words blasted across the wall. I like to find language in surprising places. Words are facts in the world, as solidly present as trees or rocks or bodies of whatever denomination. We really do read the world, after all. I've always gotten a kick out of Jenny Holzer's tricky, grand work with language on display in public spaces. Jeanette Winterson has a novel called Written on the Body, I think, which I have not read.

T-shirts with any number of profound or stupid messages and corporate logos tacked onto any bit of clothing have made the next step inevitable: words belong on the body as certainly as on clothing. Tattoo them, brand them, plop them down in ballpoint ink. But the biggest question remains: what will you say? what will you write? I'd hope that it would not be an advertisement for anything other than yourself and your own mind.

Can you tell that we're close to the end of the semester? About half-way through the next-to-last class today, a wave of weariness swept over me. I wrote, "...then it stops being fun despite the fact that many of them are working seriously on this project. It just stops being fun. What does? The teaching, the being here, the telling them over and over to do this, the fielding of simple questions like errant flies buzzing." We have these moments at semester's end. But we get over them.

{Smartypants}

When the shrivelled skin of the ordinary is stuffed out with meaning, it satisfies the senses amazingly.
Virginia Woolf

What story would you write upon your own skin?
Where would you begin?

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